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Two Classics
I read two classics this past summer: Jane Austen’s Northanger Abbey and Dostoevsky’s Devils. I was maybe two hundred pages into Devils when I realized, with a measure of surprise, that the book reminded me of Jane Austen. Not the political revolution, of course, or the atheism and murder; the book’s conclusion, in which Dostoevsky…
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An Acquittal
Dostoevsky’s Devils is a 700-page epic of spiritual lawlessness, conniving, and singularly poor decisions. For most of the novel, this plays out in long conversations, awkward domestic scenes, and some very unfortunate social events. At the climax, everything joins in a conflagration of murders and suicides, with two or three natural deaths for variation in tragedy.…
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Past the High Point
Genuinely compelling villains, although always too few, exist in fair abundance. Much more rare is a compelling villain who charts a convincing and satisfying redemption arc. Rarest of all is a compelling villain who, at the end of his satisfying redemption arc, does not promptly die. It grows predictable and, occasionally, rather bleak. Why can’t…
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A Critic’s Phrase
I didn’t pay much attention when Rise of Skywalker was released. I had already decided, skipping the trouble and expense of actually seeing it, that the movie was better than The Last Jedi but not exactly good. There was, of course, too much talk about the movie to entirely miss it. A word kept recurring…
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Happiness is an Aesthetic
There is a scene in Chesterton’s The Man Who Was Thursday where an English detective, impersonating an anarchist, is joined in a “foul tavern” by another English detective, impersonating a nihilistic German professor. The second undercover detective ordered a glass of milk, in keeping with the habits of the Professor de Worms. But he rejected,…